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The Online Healthcare Community : Pioneering Inclusive Healthcare Support in Developing Countries
The shift from in-person to online health services has now become a driving force in delivering efficient healthcare, especially in developing countries where this need is imperative.The Online Health Community (OHC) serves as a virtual platform where individuals, including patients, medical professionals, caregivers, and families, can learn about illnesses, offer support, and connect with others in similar situations. In The Online Healthcare Community: Pioneering Inclusive Healthcare Support in Developing Countries, authors Amaresh Panda and Sanjay Mohapatra lay the foundation for exploring virtual healthcare practices in India by presenting an overview of the online healthcare concept within the Online Healthcare Community (OHC).They begin by developing a comprehensive literature review, evaluating existing studies, identifying key variables, and tracing the systematic evolution spread over years for OHC.Chapters go on to employ an empirical-deductive approach with a quantitative orientation to evaluate relationships among variables, focusing on stakeholder activities within the online healthcare domain.Their findings offer industry insights and highlight the integral role OHC will play in the future of healthcare. Essential for students, researchers, and healthcare professionals keen on understanding the changing healthcare landscape, this work explores the shift to virtual healthcare emphasizing OHC's engagement, expertise sharing, and capacity for industry transformation, especially across tech-driven nations such as India.
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Countries
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No Countries
Hold onto your hats, folks, because I HAVE A TRIBE's latest offering, "No Countries," is a wild ride from start to finish. This Irish band's eclectic mix of dreamy vocals, haunting melodies, and experimental soundscapes will have you grooving one minute, and pondering the meaning of life the next. Lead singer Patrick O'Laoghaire's ethereal voice is like a siren beckoning you into a mystical world where anything is possible. The production on this album is top-notch, with each instrument shining through in its own right, yet coming together seamlessly to create a sonic tapestry that is nothing short of mesmerizing. Tracks like "After We Meet" and "Vesuvius" showcase I HAVE A TRIBE's ability to blend folk, electronic, and indie influences into a sound that is uniquely their own. The lyrics are introspective and poetic, drawing you in with their raw emotion and thought-provoking themes. So, grab a cup of tea, dim the lights, and let yourself be transported to a place where the only currency is pure, unadulterated music. "No Countries" is a triumph for I HAVE A TRIBE, and a must-listen for anyone who enjoys pushing the boundaries of what music can be. Trust us, you won't be disappointed.
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Community, Urban Health and Environment in the Late Medieval Low Countries
By exploring the uniquely dense urban network of the Low Countries, Janna Coomans debunks the myth of medieval cities as apathetic towards filth and disease.Based on new archival research and adopting a bio-political and spatial-material approach, Coomans traces how cities developed a broad range of practices to protect themselves and fight disease.Urban societies negotiated challenges to their collective health in the face of social, political and environmental change, transforming ideas on civic duties and the common good.Tasks were divided among different groups, including town governments, neighbours and guilds, and affected a wide range of areas, from water, fire and food, to pigs, prostitutes and plague.By studying these efforts in the round, Coomans offers new comparative insights and bolsters our understanding of the importance of population health and the physical world - infrastructures, flora and fauna - in governing medieval cities.
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How Rich Countries Got Rich and Why Poor Countries Stay Poor
How Rich Countries Got Rich is a narrative history of modern economic development from the Italian Renaissance to the present day. In it Erik S. Reinert shows how rich countries developed through a combination of government intervention, protectionism, and strategic investment.Reinert suggests that this set of policies in various combinations has driven successful development from Renaissance Italy to the modern Far East.Yet despite its demonstrable success, orthodox development economists have largely ignored this approach and insisted instead on the importance of free trade. Reinert presents a strongly revisionist history of economics and shows how the discipline has long been torn between the continental Renaissance tradition on one hand and the free market theories of English and later American economics on the other.He argues that our economies were founded on protectionism and state activism and could only later afford the luxury of free trade.When our leaders come to lecture poor countries on the right road to riches they do so in almost perfect ignorance of the real history of mass affluence.
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World Countries Travelling Fridge Magnets Various Countries Tourism Souvenirs Fridge Stickers Home
World Countries Travelling Fridge Magnets Various Countries Tourism Souvenirs Fridge Stickers Home
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Countries/Custom/Folk Songs
The latest album from AURELIUS SANGERKNABEN CALW / MANNHEIMER HARFENQUARTETT, titled "Countries - Custom - Folk: Songsin British English," is a delightful and whimsical journey through the rich tapestry of traditional songs. From the opening track, "The Ploughman's Song," to the hauntingly beautiful "The Water is Wide," this album showcases the incredible talents of both the Aurelius Sangerknaben Calw choir and the Mannheimer Harfenquartett harp ensemble. The harmonies on tracks like "The Ash Grove" are tight and precise, while the intricate plucking on songs like "Scarborough Fair" will transport you to a cozy English countryside cottage. However, it's not all sunshine and daisies on this record. Tracks like "Barbara Allen" delve into darker themes of love and loss, while the hauntingly beautiful rendition of "Greensleeves" will send shivers down your spine. Overall, "Countries - Custom - Folk: Songsin British English" is a refreshing and often surprising take on traditional folk music. It's quirky, charming, and impossible to resist. So grab a cup of tea, cozy up by the fire, and let the enchanting sounds of this album sweep you away to a land of rolling hills and fairytale lore. Cheers!
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Countries
Van William’s debut album “Countries” is a genre-bending journey that will have you questioning everything you know about music. From the moment you press play, you are transported to a world where folk meets indie rock meets electronica meets... well, just about everything else. It’s like putting all your favourite genres into a musical blender and hitting “pulse”. The opening track, “Revolution”, kicks things off with a bang (literally, there are some seriously intense drums going on here). The raw emotion in Van William’s vocals combined with the infectious melodies make for a powerful start to the album. As you make your way through tracks like “Fourth of July” and “Cosmic Sign”, you start to realise that this isn’t just an album – it’s a whole experience. The haunting lyrics, the dreamy instrumentals, the unexpected twists and turns... it’s like Van William has taken all your expectations and thrown them out the window. But what really sets “Countries” apart is its ability to make you feel. Whether it’s the nostalgia-inducing “Before I Found You” or the heart-wrenching “You'll Be on My Mind”, each track has a way of getting under your skin and making you feel things you didn’t even know were possible. In conclusion, Van William’s “Countries” is a must-listen for anyone who craves music that pushes boundaries and evokes emotion. So grab your headphones, press play, and get ready for a musical rollercoaster like no other.
Price: 4.99 £ | Shipping*: 0.00 £
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